Ann Shaw -
"I am a writer/artist based in Scotland. After working as a Feature Writer on the Glasgow Herald I went to Glasgow School of Art as a mature student.
Check out my web-site: annshaw.co.uk "
Contact- annshaw
Richard Feehan of Clacks Council design team has produced a poster for us at lighting speed, very glossy A3 also one for the web which I have circulated to all 41 artists who have wish to participate in forthcoming event.
Did you know that most people have never an artist and certainly never visited one in her/his studio?
this was pointed out to me last night when I attended networking event with several friends involved in setting up Forth Valley Open Studios in the Dunbalne Hydro.
It was organised by VisitScotland.com to promote tourism in the area.
Everyone we mentioned our project to was really enthusiastic because it ticked all the right boxes i.e. it offered people a new experience, it involved visiting beautiful parts of the Scottish countryside , it had something there for children too and it was free!
I guess we are on to a winner...
So far 34 artists in the Forth Valley have expressed an interest in participating in the project and we have anaother public meeting planned for January 21st in Alloa- weather permitting.
Are we moving from passive consumption to active creation? if one is optimistic that is one possible interpretation of the American study NEA report (http://www.newmusicbox.org/article.nmbx?id=6221) which shows a national decline in all arts and sports where there is passive consumption.
There's another scenario: would people rather consume arts and sport via digital media in the comfort of their own homes rather than sit with strangers in some expensive location...just a thought?
Wednesday, December 16, 2009
Celebrations for centenary of Macintosh building - people gathering for the projections on three sides of the building
Professor Roger Wilson, Head of Fine Art, Glasgow School of Art in his studio View from the staircase The Loggia, better known as "the hen run".
Attended the centenary celebrations of the Macintosh building yesterday. Place heaving with celebrities, politicians, and the movers and shakers from the international art world including Tony Jones , former Head of GSA and now with The School of the Art Insitute, Chicago.
Met the new Head of Fine Art, Professor Roger Wilson in his studio where he was painting and chatting to visitors ( nice touch!). He comes to Glasgow from Chelsea College of Art and Design.
I graduated in 2001 and it was good to be back in the Macintosh building. It reminded me again that the building is a "feast for the eyes", not surprising since Charles Rennie Macintosh, a part-time student, knew what art students wanted.
That hoary old chestnut "amateur versus professional artists" has reared its head again as the debate over Open Studios begins.
Pointed out to a professional artist friend that participants will have to pay only to be told:"they can afford it because they have jobs and paint part-time". Oh dear!.... why can't everyone accept that there different strands of art and many different kinds of art and artists.
I am still reeling from the shock of discovering at yesterday's meeting of Forth Valley Artists that no data base exists of artists in the area! I would have thought it would have been the first job of any Visual Arts Officer to make certain that he/she had an up-to-date list of all artists.
This accounts for the poor response to our first meeting - 10 plus our two guest speakers. I had assumed ( wrongly as it turned out) that the Changing Room gallery, a local funded gallery by the council, had a list. It was only discovered half way through the meeting that most of the people attending had not received an email from the Changing Room informing them of the meeting.
Later discovered a "glitsch". Sure enough the new Visual Arts Officer confirmed that such a list does not exist. Unless artists have approached them for grants or signed their Visitors Book then they have no record of their existence.
Now Perthshire artists have a very active art scene . They have a flourishing Visual Arts Forum which provided a data base for the Perthshire Open Studios to work from.
Take time out from writing Christmas cards and view this e-card sent out by Glasgow School of Art. Is this the way forward?
This card is colourful, lively, interactive and what's more environmentally sound , oh yes and its free!
er....if the link doesn't work try this: www.gsa.ac.uk/seasonsgreetings
Sunday, November 29, 2009
"Dancer"drawn on my Iphone while travelling into Edinburgh by train. Who says you need a studio now to create work?
Have put posters out for the open meeting for Forth Valley Open Studios. Response so far is good. Meeting fixed for Saturday December 12 in the Changing Room gallery's eduation room- courtesy of Arts Officer Emma Hamilton, Stirling.
In this new online world of the linked economy- OK I don't really understand it either but the world is shifting under our feet even though we may be standing still-I am not certain where artists fit in.
What sort of work do we make and how do we sell it? some pointers to the future come in today's Guardian"Money" section Tot Taylor , director of the Riflemaker gallery makes some predictions:
"It will be about formats and mediums ( new and old), not so much painting, sculpture and photography but more textiles and tapestries, digital art, gardening art, Eco at, all things cosmic, woodcuts and even wax."
I used to work on newspapers and I still love the feel of them and read them avidly. So it was with great sadness I heard yesterday that two of my favourite supplements Guardian IT and Observer Business and Media are about to be pulled. Yes, another sign of the rapidly changing world we live in.
If you are interested in making films, especially low budget ones on a shoestring, then a visit to Cafe Flicker, the monthly open cinema in Glasgow is a must. It's run by Glasgow Media Access Centre and I have been a member for years , first introduced to it while a student at Glasgow School of Art.
They have moved into their smart new building on the 5th floor of 103 Trongate.
The standard has shot up - something we attribute to the ease of new digital technology and falling price of decent camcorders. Eleven films were shown on Wednesday night and they ranged from a documentary on Romanian gypsies singing, never seen footage of an interview with George Harrison, ( yes of the Beatles!) to a community documentary on the Citizens community theatre in the Gorbals.
Oh yes we had experimental films too and the funniest was one involving a frog...
My first attempts with "Brushes" the Iphone drawing app.
I was interested to read in last Sunday's Observer profile in the colour magazine on David Hockney , that he uses the Iphone app "Brushes".
He has always been known to be a fan of new technologies - remember his fax art?- so it was inevitable that he would "discover" the Iphone as a painting tool.
What's more he's 72 years of age.
Well, I have just loaded this app on to my Iphone . Here's some tentative results...
Saw the film Buena Vista Social in New York so was curious to see this bunch of musicians live last night. I was not disappointed. They played to a packed audience in Glasgow's Royal concert hall and they had them on their feet clapping, singing and dancing.
Have started to sound out people who may be interested in opening their studios to the public next year - Perthshire and Fife already run very successful Open Studio weekends. Among the first to express an interest is Polish textile artist Ewa Kuniczak . Her website feltheadtotoe is worth checking out.
It is just one example of the vast amount of talent lurking in the Scottish hills around here.
Thanks to the national arts project "The Big Draw" which aims to get everyone drawing I got a chance to try my hand at screen printing in a workshop held at The Tolbooth, Stirling .
Our tutor, Andrew Mackenzie managed in three hours to give us an intensive introduction to the process which ended up with us all walking away with several screen prints each! quite an achievement!
We used the current exhibition of Aladsair Gray's prints as source material. After an introduction and brief history of screen printing we were taken to the exhibition and given quarter of an hour to draw an image from which we would later develope a stencil for screen printing.
I must admit that I entered the workshop feeling a bit sceptical: how on earth could be do a screen print from scratch in such a short time? Andrew proved me wrong. I m now an enthusiast of screen printing and want to find out more.
Have started to prepare work for my exhibition next February and the first piece of work I want to complete is some digital prints on Japanese paper.
Well, I went into Glasgow Print studio to discuss whether it would be possible to do this on their new printer.
"No way!" says the director standing in the middle of his state-of-the-art new printing premises. "That machine cost us £6,000".
OK he has a point so its back home to fiddle with my own printer and try to work out why some prints are coming out so heavily inked as to be unusable.
Well, I guess it is just another hurdle that those of us working with new media face weekly if not daily. Unlike making traditional art we can't ring up a friend or seek out expert advice on how to solve these problems, because nobody has ever done it before. It is a case that we all have to work it out as we go along.
I was interested to hear on Radio 4 this morning Jeffrey Archer discuss his book "Cain and Abel" which he has re-written after 30 years. A Professor of English literature was asked to comment and he said that in future with the introduction of electronic books we are going to be seeing a lot more of this taking place.
He said:"Writing will become a much more fluid process with books changing all the time."
Well, this is what I am discovering now for more information keeps coming in which could so easily be incorporated into "The Children of Craig-y-nos" if it was an e-book instead of a printed book.
But the fact is though that we are still of a generation that likes to hold a book in our hands.
I suspect the youngsters of today will have no such inhibitions and will take to screen reading of books like the proverbial ducks to water...
Had a look at the new exhibition in the Transmission gallery, Glasgow. Almost didn't go in because I glanced through the window and saw what appeared to be a room full of empty canvases.
Glad I did. It shows the work of Berlin based artist Klaus Weber who is on a mission to highlight the problems of disappearing bees due to global changes. The canvases were splattered with bee excrement.
Meanwhile I am getting into a bit of a panic over my forthcoming exhibition - I hadn't realised that the space I had been allocated covered two floors! maybe I ought to find someone to share with.
On train to Glasgow Print Studio I download a free e-book, catch up with emails, check out new range of camcorders and read a couple of newspaper articles, and do some drawings - all on my Iphone.
Realise paper plays less and less a role in my life so why am I dabbling in the past with arcane printing processes? the answer is that there is something very satisfying about making images on paper.
A useful analogy is cars: when cars replaced horses this did not mean the end of horses. Oh no, they became luxury objects , no longer the sole means of transport they are used for the sheer pleasure of riding today.
They even developed large vehicles, horseboxes, for carrying the horses around the country...
Off to the new 103 Trongate Arts Centre in Glasgow with some prints to be framed for upcoming exhibition, except I have some misgivings .
Am I just adding " objects" to an already overcrowded world? this is something that has been on my mind for some time so I was interested to read the other day that Damien Hirst has announced he will stop doing his spot paintings because the world "already has too many art objects".
Well it is OK for him having made his millions but what about the rest of us struggling to earn a crust?
So I will go into Glasgow and get my prints framed.
If you missed Mackintosh's Masterpiece on the BBC on Monday why not watch it on the BBC iPlayer at: http://www.bbc.co.uk/iplayer/episode/b00n0wrh/Mackintoshs_Masterpiece_The_Glasgow_School_of_Art/
Russian art. Big Russian presence in Venice - and it was good, and challenging Wales: John Cale- disappointing. By the way this was the only sign leading to the Welsh venue. OK they had a board outside the venue but by that time you had found the place!
Just back from Venice. Bit of a curate's egg- good in places but also some very boring stuff. How on earth did they get selected? I heard of one guy who was so incensed with the representation from his country - Cyprus- that he went along to the officials to complain.
Loved the Canadian and Icelandic contribution though bemused at the Welsh one from John Cale. Why was he water-boarded? His film was in desperate need of editing...and more editing.
Steve McQueen had timed entry to his 30 minute film. At least this was very professional but it didn't stop half the audience from walking out... Heard that he imported the greyhounds for the filming. Couldn't help feeling that this was a bit of a fake documentary, after all it was supposed to be Venice in the winter and those dogs were the key to the film. While I was there I saw pigeons, cats and homeless people. But no dogs.
I have just uploaded this video to Youtube. Although this public art installation for the Gallery of Modern Art was done some years ago - part of my portfolio for Glasgow School of Art- I have only now got around to editing the footage.
Looking back on it now I can see that the reason it was so successful was that it involved the public and was easily accessible. Police Box,Glasgow
Just attended excellent Networking day in the Changing Room, Stirling.
The consensus of opinion was that this was the best ever event we had attended for it was focused on the needs of artists working and living in Scotland.
Maybe it had something to do with the fact that it was organised by the new temporary curator Emma Hamilton, a practising artist who also comes from the area.
We are all hoping that Emma gets her contract renewed.
Received a phone call yesterday to say that I am going to be included in the next edition. There seemed to be some confusion of whether I qualified for inclusion in a directory of Welsh artists because I have lived for the past 34 years in Scotland.
However, after some discussion it was agreed that I was born in Wales, educated in Wales and have exhibited in Wales.
"Knock on the sky and listen to the sound" - digital painting
One of my first tutors at Glasgow School of Art offered the following advise : "start from something organic".
We were doing preliminary drawings for sculpture. Even now when I work in digital painting his words still echo in the back of my mind.
In the case of "Knock on the sky and listen to the sound" -Zen saying -the original was a rose I had grown in my garden. Mashing it in the computer produces something equally beautiful yet hints at the uncertainty of the new digital age we are moving into.
Have started work on my next book and today retreated to our local library with my laptop in order to escape domestic life i.e. window cleaner arrived and wanted to "convert" me to his faith. He is a Jehovah's Witness. No, not first thing on a Monday morning...
Glasgow School of Art have asked for a copy of "The Children of Craig-y-nos" for their library, partly because they always want work by alumni for their collection and also, the librarian tells me, because of the increasing interest amongst students in the links between art and science crossover.
They have also mentioned it on the college
Glasgow School of Art have asked for a copy of "The Children of Craig-y-nos" for their library, partly because they always want work by alumni for their collection and also, the librarian tells me, because of the increasing interest amongst students in the links between art and science crossover.
Maybe art organisations should look a bit more carefully at trying to make their work not only more accessible but immersive too by enrolling members of the public. How about asking the public to select art they would like to see?
Mixed bag, like a curate's egg, the kind of stuff you expect from a Degree show. Compared it to Glasgow School of Art and the overall presentation and quality of the work not on par with GSA. But textiles excellent.
It is several years since I have been to Edinburgh College of Art Degree show and I was looking forward to seeing their jewellery, ceramics and glass exhibitions. Then I learn that they have closed except for a small jewellery department. If they had a display I failed to find it.
( Edinburgh is not alone - there's a trend away from making things in art college as everyone moves on to digital media).
Found most of the sculpture dry, academic and , well, tired....though I did like the singing shoes except I almost passed it by. Asked the girl who made them why she did not at least put a sign saying that it was an audio installation which would have encouraged people to stop and listen and she replied :"I don't care if people miss it..."
Excuse me?
Found some graffiti in the downstairs loo which summed up at least one student's experience of her four years at art college: "ECA stole my sense of self"
At last I have got around to having some postcards made from my digital print "The Journey". It features Loch Katrine, source of Glasgow's water supply, and the studio taps in Glasgow School of Art.
Both Carole Reeves and myself have received letters from Ellis Thomas regarding the book: "Children of Craig-y-nos":
"Have just received my copy of the book. What a marvellous production! I was taking a first flick through it when Ann rang, asking if I'd received it! The book I find absorbing, to be read and re-read. I thank you and Ann most sincerely for creating something which I never thought I'd see in my time - and all through an enquiry on the correspondence page of the local paper!"
Thank you Ellis. It is always good to have feedback.
Here's a thought: if you want to be sure of a job in the future then work with your hands. You can't outsource a spanner to India. Check this out- the guy has a PH.D from the University of Chicago and now repairs motor-cycles.
Well, here we are at the Hay Book Festival and for the first time in five years the weather is scorching hot. Usually its mud, rain, wellingtons and umbrellas. Tried to buy sunscreen only to discover that the small market town of Hay has sold out.
Have delivered copies of "The Children of Craig-y-nos" to the Welsh Book stand. I am delighted to see that they have given it a prominent display and three books have already sold. Considering the competition here and the big name authors floating around I think it is an achivement to have sold one let alone three on the first day.
Dr Carole Reeves, Outreach Historian with the Wellcome Trust Centre for the History of Medicine, University College London and Ann Shaw co-authors of the book "The Children of Craig-y-nos" * signing copies of the book at the recent launch in the restored Glass Conservatory in the Castle.
Some of the people present had been child patients in the Conservatory.
Have started to get nervous. We fly from Edinburgh this afternoon to Cardiff.
Dr Reeves is horrified that the boxes from the printers books have been opened . I tell her its Wales. What does she expect? There's no way those boxes were going to remain unopened in the Castle.
Curiosity and privacy do not share the same bed in Wales.
Busy getting ready for book launch on Friday in Craig-y-nos Castle. So far around 100 people booked in. Have asked Cynthia Mullane to do the introduction and she has agreed . She represents the Sleeping Giant Foundation, a local oral history charity, who have been very supportive.
Have had a request from Sky TV for one of my videos - dog herding ducks- which I made at the local agricultural show in Dunblane . www.youtube.com/user/annshaw
Just read that there is a device in development called a "vook" a cross between a book and a video which would enable you to read books on a variety of electronic devices and incorporate video too.
Already I find that I use my Iphone to read lots of stuff rather than log on to my main computer.
Finland on sheep-shearing Salon Sundö The Movie Sheep shearing in October 2008 in the archipelago of Finland. No sheep-wrestling, they just walk up a ramp-and sort of enjoy the ride! Happy sheep! :-) This is a Finnish woman designer who posted a video response.
Who watches my stuff on Youtube? Well, Google have added a nifty tool which not only reveals the age of viewers but where they are located .
So, when I got invited to show two films at Blairlogie Village Hall prior to the main film" How to Marry a Millionaire" on Saturday I decided to google them first. Bearing in mind the audience (local) I selected two local films which have already proved popular on Youtube with combined "hits" around 40,000.
I expected the statistics to reveal they had a high Scottish, or at least British ranking.
Not at all. The clip of an eight week old European owl is watched almost in equal numbers by young men and women in the 18-35 age group in the Ukraine !
As for the five minute film of wrestling at the Bridge of Allan Games most viewers are middle-aged Austrian women!....
I am having difficulty embedding video into blog. Please click on following link to: Stone Circle
This video was made last Sunday in Pittenweem, Fife at the end of their annual arts festival.
The Japanese installation artist Yoshihito Kawabata imported stone from the north of Scotland, he put a message and signed each stone then laid them in a gigantic circle with part of it on the shore. As soon as the tide came in it took some stones away.
He believes in "free art" and he wanted his installation to be enjoyed by visitors to the Festival, and if they wanted a stone as a "keep-sake" then he was happy for them to take stones away. The sea, wind and waves took the rest...
This video shot in Stirling of the last march through the city of the world famous Argyll and Sutherland Highlanders has been watched in 35 countries, viewed by over 14,000 people and attracted 50 comments on Youtube.
It was filmed on a very old camcorder on the spur of the moment...I mention this to show how these days with the most basic technology you can make little films and show them worldwide - for free!
It so happened that the Drummer collapsed and I had it on film.
While I have been deeply engrossed in writing "The Children of Craig-y-nos" a multi-media, online project with a book to be published with the help of Dr Carole Reeves , oral historian with The Wellcome Trust Centre for the History of Medicine, University College London and funding from the Welsh Heritage Lottery Fund my videos online have developed little communities around which people gather.
The 47 videos on my main internet channel www.Youtube.annshaw- ) have a life of their own. It is as if the video has acted as a flashpoint, or catalyst, allowing people to congregate online and exchange their views. ( I have another internet video channel for my current project www.Youtube.childrenofcraigynos
I am not too surprised that the blonde woman wrestler in our local Highland Games who flashes her knickers from time to time as she throws men to the ground has attracted thousands of "hits".
Others continue to surprise me. An old clip I put up of dog sledging I made in Alaska while en route to Japan has been bookmarked by many devotees of huskies. Likewise one dealing with predators- one featuring a European eagle chick in a Highland Wildlife park. As for the three minute clip of the last march of the Argyll and Sutherland Highlanders through Stirling before they were amalgamated this still draws comments today, years after it happened. On Youtube you just don't know what grabs folks attention: the odd, the quirky, the unexpected yes.
As for my art videos I am afraid they are the least popular. Perhaps I should not be surprised; or disappointed.
We organised a Patients Reunion in September- the first time many had returned to Craig-y-nos Castle, in the Swansea Valley since they left over 50 years ago.
Mary Williams was a former TB patient who had beenbrought into the sanatorium, once the home of the famous opera diva Adelina Patti, as a very sick child.
She was given weeks, if not days, to live. Byi thanks to the miracle drug streptomycin she recovered. Nurse Glenys Davies remembers her because of her dramatic recovery.
Have started to roll out some work after a week in Dahab. Spent one day going up to St Katherine's monastery in the Sinai desert and filmed these camels. Added a touch of surrealism.
Fungal foray with Stirling branch of the Scottish Wildlife Trust. Inspired to make this after biologist Roy Sexton showed us slides of mushrooms under a microscope in the lab. at Stirling University. Roy and Sue Sexton run the Stirling branch of the Scottish Wildlife Trust.
This is my last video of 2006...have got to get Christmas under way! It's a constructed narrative from an afternoon walking my dog in the snow. Hope its got a festive feel about it, well, a snowy one anyway.
I came across this video last night in my studio ( i.e. spare bedroom) while trawling through some old footage and I realised that it has never been seen by anyone so I decided to put it up on You Tube this morning.
After all, I reckon that those people who were kind enough to take part in my inter-active art project in the Changing Room gallery might like to see it. So lets hope they click on to You Tube and see their hands!
But there's a little problem...I've got over 40 images of hands up and I only know a few peoples names. In the excitement/confusion of the week in the gallery my list of names does not tie up with the photos...so if anyone looking at this video recognises themselves then please email me( annshaw@mac.com) and I will put the names in.
So far I have got the following: John Gray, Fiona Ross, Chris Walker, Malcolm Shaw, Lys Hansen, Kirsteen MacDonald, Peter Russell, Jamie Jack, Lynn Wilson, Ann Turner, Pamela and Katie Morley.
Climbed Ben A'an yesterday. This is a quick charcoal sketch I made. Nearly had heart failure when I caught my first glimpse of Ben A'an. A sheer peak rising out of nowhere....a video will follow.
Craig-y-nos Castle has had a violent and colourful history. Built in 1840 by the Powell family, it is said there was a curse on the family because Captain Powell's children died of either disease or terrible accidents. He ran out of monery, went blind and eventually insane.
Adelina Patti, world famous opera singer, lived there for over 50 years. She entertained the "great and the good" including Royalty, with concerts in her private theatre. She died after falling down a flight of stairs. Today her ghost is supposed to haunt the castle and the grounds. Many sightings have been reported along with her singing.
After her death the castle was used for around forty years ( 1920- 1960) as a childrens TB sanatorium though all records for this period have been destroyed. Today it is an hotel specialising in weddings and ghost-hunting. It claims to be the most haunted castle in Wales.
On April 12 2003 Hungary voted to join the Common Market. We were being entertained by our Hungarian friends at the time and they were showing us around Budapest. This is a snapshot of that day.
Ann Shaw web movie based on the "Clach" Stone Sculpture Symposium
Laurent Guyolot "Clarsach"
Carving in stone may be deeply unfashionable in some artistic circles- after all its no longer taught at art colleges- but there is no doubting the ability of stone to resonate with the human spirit throughout the ages- from the cave paintings in Spain to its popularity with the public today.
Witness the hugely successful first ever Stone Sculpture Symposium in Scotland held this month ( Sept. 2006) in the grounds of a castle near Stirling.
Hugh Collins ""Torso"
A dozen sculptors from as far afield as Canada, Germany, France, Norway as well as Ireland, England and of course Scotland had been invited to make work in the grounds of the castle for a week .
Marina Weir "Water-horse" They were: Tom Allan ( Glasgow), Hugh Collins (Scotland) Marina Weir ( Ayrshire),Brunton Hunter (Borders), Laurent Guyolot ( France/Italy), Eldon Guay ( Canada), Alan Ward ( England), Nils Hansen ( Germany/Italy), Susheila Jamieson ( Borders), Arne Maeland ( Norway), Aileen-Anne Brannigaan ( Ireland), Paul Cook (England), and David Kent ( England).
Alan Ward "Throne for a Celtic King"
The event was organised by sculptor Tom Allan, who passionately believes that stone still offers a valid expression for the creative expression of art, and he describes the week as a “resounding success”.
Arne Maeland ""Tower House"
Plans are already underway for the second Stone Sculpture Symposium in Scotland next year.
Nils Hansen "Triskele symbol"
But first Tom is taking a well earned break - with a few weeks carving in the Carrara marble quarries, near Pisa.
Susheila Jamieson "Spiral"
On a personal note I found the symposium a refreshing change from the arid conceptualism masquerading as art that fills so many of our galleries today.